Salt-N-Pepa sue label to reclaim rights to their hits


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Summary

Artist copyright law

Salt-N-Pepa have filed a lawsuit against Universal Music Group (UMG), alleging that the label violated the U.S. Copyright Act of 1976 by refusing to return their master recordings after they issued termination notices in 2022.

Industry context

The article references similar disputes by other artists, including Taylor Swift, Kesha, and Prince, over the ownership of master recordings.

Cultural impact

Salt-N-Pepa argue in their lawsuit that their music remains culturally relevant and continues to generate revenue, mentioning that their recordings have earned millions and featured in high-profile advertisements, such as a viral 2014 Geico commercial.


Full story

The year 2025 was shaping up to be a banner one for Salt-N-Pepa. The iconic hip-hop duo known for hits like โ€œPush It,โ€ โ€œShoop,โ€ and โ€œLetโ€™s Talk About Sexโ€ was set to be inducted into the Rock & Roll Hall of Fame. Now, itโ€™s also the year theyโ€™re taking their record label to court.

Per The Associated Press, Cheryl โ€œSaltโ€ James and Sandra โ€œPepaโ€ Denton filed a lawsuit on May 19 against Universal Music Group (UMG), accusing the music label of violating the U.S. Copyright Act of 1976. That law gives artists the right to terminate copyright agreements and reclaim ownership of their recordings 35 years after the original contract date, in this case, in the year 1986.

The female rap duo claim they filed termination notices in 2022, but UMG refused to return their master recordings. Instead, the label allegedly blocked some of their hit songs from streaming platforms like Spotify and Apple Music.

โ€œUMG has indicated that it will hold Plaintiffsโ€™ rights hostage even if it means tanking the value of Plaintiffsโ€™ music catalogue and depriving their fans of access to their work,โ€ the lawsuit states.

Unbiased. Straight Facts.TM

Salt-N-Pepa was one of the first all female rap groups to break into mainstream music, and in 1995 they became the first female rap act to win a Grammy Award.

The lawsuit suggests that this kind of situation is why Congress updated the copyright law โ€” to protect artists who signed contracts early in their careers, often without leverage, only to watch their work become valuable over time.

Before the 1976 revisions, artists had to wait 56 years to reclaim their rights. Congress shortened that window to 35 years, recognizing that new artists often agree to one-sided deals when theyโ€™re young and unknown.

According to the AP, UMG lawyers said that James and Denton were not even โ€œpersonally partiesโ€ in the initial agreement and there is โ€œno evidence that they granted the label copyright that they can now reclaim.โ€

UMG claims that Salt-N-Pepaโ€™s songs were โ€œworks made for hire,โ€ meaning the label โ€” not the artists โ€” owns them and the group canโ€™t reclaim the rights. But Salt-N-Pepa argue their contracts show otherwise, and that their songs werenโ€™t created by employees or under the specific conditions required to qualify as โ€œworks made for hire.โ€

The lawsuit notes that Salt-N-Pepaโ€™s music still holds cultural relevance โ€” with recordings that have earned millions over the years and continue to connect with fans โ€” highlighted by a viral 2014 Geico commercial.

Taylor Swift paves way for a work-around

Several other popular artists have sued their labels over the years concerning ownership of master recordings, including Taylor Swift, Kesha and Prince. In Swiftโ€™s case, she sued her former label, Big Machine, after it sold the rights to her first six albums without her consent.

Some artists are reclaiming loss of their music by rerecording songs they no longer own, often with new labels. In Swiftโ€™s case, she released four albums, ironically, with Universal Music Group. Salt-N-Pepa are seeking monetary damages and a permanent injunction to keep UMG from interfering with their rights.

Shianne DeLeon (Video Editor) and Mathew Grisham (Digital Producer) contributed to this report.
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Why this story matters

The legal dispute between Salt-N-Pepa and Universal Music Group raises ongoing questions about artists' rights to reclaim ownership of their music and the broader implications for artist-label relationships in the music industry.

Music industry contracts

The lawsuit underscores the contractual complexities between artists and record labels, including disputes over whether songs are 'works made for hire' and who holds true ownership, as claimed by both Universal Music Group and Salt-N-Pepa.

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Behind the numbers

Multiple sources indicate that Salt-N-Pepa estimate their actual damages from the dispute with Universal Music Group could exceed $1 million, primarily from lost licensing and revenue opportunities. The lawsuit also notes that their catalog generates substantial income, citing claims of $1 million in synchronization license revenue in the past five months alone.

Quote bank

โ€œUMG has indicated that it will hold Plaintiffsโ€™ rights hostage even if it means tanking the value of Plaintiffsโ€™ music catalogue and depriving their fans of access to their work,โ€ the lawsuit claims. Salt-N-Pepaโ€™s representatives state, โ€œThis fight is about more than contracts โ€” itโ€™s about legacy, justice, and the future of artist ownership.โ€

Terms to know

Master Recordings: Original sound recordings from which copies are made. Copyright Act of 1976: U.S. law allowing artists to reclaim intellectual property after a specified term. โ€œWorks made for hireโ€: A legal classification affecting copyright ownership and the ability to reclaim rights. Termination Rights: Legal provisions allowing original creators to recover rights to their works after a set period.

Bias comparison

  • Media outlets on the left framed the dispute as a battle against corporate malfeasance, employing charged phrases like "maliciously punished" and "holding rights hostage" to spotlight Universal Music Groupโ€™s alleged exploitation and to cast Salt-N-Pepa as empowered artists reclaiming justice.
  • Media outlets in the center focused on neutral, factual recounting without emotive language, de-emphasizing the empowerment or punitive narratives.
  • Media outlets on the right emphasized a combative "legal showdown" and celebrate Salt-N-Pepaโ€™s cultural significance, framing UMGโ€™s removal of music from streaming as "retaliation," thus underscoring themes of firm resistance and legacy preservation.

Media landscape

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Key points from the Left

  • Salt-N-Pepa filed a lawsuit against Universal Music Group, claiming it is violating copyright law by refusing to transfer rights to their master recordings, including their hit "Push It" and others.
  • The lawsuit asserts that the Copyright Act of 1976 allows artists to reclaim ownership of their work after several decades, a provision Salt-N-Pepa argue should apply to them now.
  • The dispute has resulted in Universal Music Group removing Salt-N-Pepa's music from streaming platforms, which the lawsuit describes as 'maliciously punishing' them for asserting their rights.
  • Salt-N-Pepa seek damages that could exceed $1 million and a permanent injunction confirming their rights to their recordings.

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Key points from the Center

  • Cheryl "Salt" James and Sandra "Pepa" Denton have filed a lawsuit against their record label in federal court in New York to reclaim ownership of their music, invoking the Copyright Act of 1976.
  • The lawsuit claims that Salt-N-Pepa aims to terminate their agreement under the law to regain full ownership of their recordings.
  • The lawsuit states that UMG has refused to honor Salt-N-Pepa's rights, indicating it will maliciously punish them for asserting their rights.
  • UMG's actions allegedly threaten to diminish the value of Salt-N-Pepa's music catalogue and limit fan access to their work.

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Key points from the Right

  • Salt-N-Pepa filed a lawsuit against Universal Music Group, claiming copyright violations regarding their master recordings, including "Push It" and their debut album "Hot, Cool & Vicious."
  • The duo assert that they legally terminated their agreement in 2022, but UMG refuses to return their rights, which the lawsuit states is unlawful.
  • In response to the lawsuit, UMG pulled Salt-N-Pepa's music from streaming platforms, which the duo states punishes them for asserting their legal rights.
  • Salt-N-Pepa seek over $1 million in damages, claiming financial losses could exceed this amount due to UMG's actions.

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