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Kennedy Felton Lifestyle Correspondent/Producer
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3,700 artists sign letter opposing Christie’s AI art auction

Kennedy Felton Lifestyle Correspondent/Producer
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  • Christie’s is set to make history with its first-ever AI-generated art auction, “Augmented Intelligence.” The auction, which kicks off Feb. 20 online and with an exhibition in New York, will feature pieces valued between $10,000 and $250,000.
  • More than 3,700 people have signed an open letter urging Christie’s to cancel the auction. They claim that many of the AI artworks were created using models trained on copyrighted work without permission.
  • Christie’s defends the auction, stating that many featured artists use AI as a collaborative tool rather than a shortcut, emphasizing the artistry involved in “bending AI technology to their will.”

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Christie’s is making history with its first-ever auction of art created using artificial intelligence. But thousands of artists are pushing back, calling the sale an endorsement of unethical digital art practices.

The “Augmented Intelligence” auction will begin online Feb. 20, alongside an exhibition in New York. The value of the works is between $10,000 and $250,000.

But the event is facing major opposition. More than 3,700 people have signed an open letter urging Christie’s to cancel the auction.

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The letter, addressed to Christie’s vice president and digital art sales manager, claims that many auctioned artworks were created using AI models trained on copyrighted works without permission.

“These models, and the companies behind them, exploit human artists, using their work without permission or payment to build commercial AI products that compete with them,” the letter states.

Artists question AI’s role in art

The collection features work from various AI artists, including the late Harold Cohen. Cohen, who passed away in 2016, was known for creating AARON, one of the first AI programs designed to generate art autonomously.

Christie’s defends the auction, stating that many featured artists use AI as a collaborative tool rather than a shortcut.

“AI art is so fascinating because you see artists bending the technology to their will,” said Sebastian Sanchez, Christie’s digital art manager. “They’re putting restraints in place, building parameters, and then letting AI run free within those boundaries.”

Some AI artists, like Mat Dryhurst, argue that the debate should focus on AI policy rather than individual artists.

“It is not illegal to use any model to create artwork,” Dryhurst told The Guardian. “I resent that an important debate that should be focused on companies and state policy is being focused on artists grappling with the technology of our time.”

Dryhurst was one of the first two digital artists invited to explore OpenAI’s DALL-E, a text-to-image AI tool.

The debate over AI-generated content extends beyond the fine art world.

In 2023, Hollywood writers called on major studios to combat AI plagiarism.

The music industry has also raised concerns. More than 200 artists, including Billie Eilish and Nicki Minaj, signed an open letter last April calling for protections against the “predatory use of AI” in music.

Meanwhile, major AI companies are facing lawsuits over their use of copyrighted materials.

In 2023, a group of artists filed a class-action lawsuit against Stability AI, Midjourney and DeviantArt. They claim the companies trained AI models using billions of online images without obtaining consent from the original creators.

Last year, a federal judge ruled that certain copyright claims in the case could move forward. The outcome could shape future policies around AI-generated art and intellectual property rights.

The future of AI in art

For now, Christie’s AI art auction remains on schedule. But as AI continues to reshape creative industries, the conversation around ethics, copyright and artistic ownership is far from over.

While some industries push back, others are embracing AI and working to establish standards for its use.

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[KENNEDY FELTON]

Christie’s—one of the world’s most prestigious auction houses—is set to make history with its first-ever AI-generated art auction. But not everyone is celebrating; thousands of artists are pushing back, calling the sale an endorsement of unethical practices in the digital art world.

The upcoming “Augmented Intelligence” auction is set to begin February 20th online with an exhibition featured in New York. Pieces up for auction are estimated to be valued between $10,000 to $250,000.

However, more than 3,700 people have signed an open letter to Christie’s Vice President and Manager of Digital Art Sales, urging them to cancel the auction, saying: “Many of the artworks you plan to auction were created using AI models that are known to be trained on copyrighted work without a license. These models, and the companies behind them, exploit human artists, using their work without permission or payment to build commercial AI products that compete with them.”

The collection features work from various AI artists, including the late Harold Cohen, a pioneer in computer-generated art. Cohen developed AARON in the 1970s, one of the first programs capable of creating art autonomously.

Christie’s defends the auction, saying many of the featured artists use AI as a collaborative tool, not as a shortcut. Their Digital Art Manager, Sebastian Sanchez, says: “AI art is so fascinating, because you see artists bending the technology to their will. They’re putting restraints in place, building parameters, and then letting AI run free within those boundaries.”

Another artist featured in the auction, Mat Dryhurst, tells The Guardian: “It is not illegal to use any model to create artwork. I resent that an important debate that should be focused on companies and state policy is being focused on artists grappling with the technology of our time.”

Dryhurst was also one of the first digital artists invited to explore OpenAI’s text-to-image generation tool, DALL-E.

But the controversy around AI is bigger than just the art world. Last year, Hollywood writers penned a letter to major studios calling on them to combat plagiarism in AI usage.

And in the music industry, more than 200 artists including Billie Eilish and Nicki Minaj signed a letter last April calling for protections against the “predatory use of AI” in music.

Meanwhile, tech giants like OpenAI and MidJourney have experienced legal disputes concerning the use of copyrighted materials in training their AI models. In 2023, a group of artists filed a class action lawsuit against Stability AI, MidJourney, and DeviantArt, alleging the companies used billions of images from the internet without obtaining consent from the original creators. Last year, a federal judge allowed the artists to move forward with certain copyright claims against the companies.

For now, Christie’s auction remains on schedule, but the conversation around AI and creativity is far from over. While some industries are pushing back, others are embracing AI and working to set standards for its use.