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Kennedy Felton Lifestyle Correspondent/Producer
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‘Emilia Pérez’ sparks controversy over transgender portrayal, drug war storyline

Kennedy Felton Lifestyle Correspondent/Producer
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With multiple awards already under its belt and strong Oscar prospects, “Emilia Perez” has captivated international audiences. But its success has also fueled debates over the film’s portrayal of the communities it aims to represent.

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“Emilia Pérez” is a musical about Juan “Manitas” Del Monte, a notorious Mexican cartel leader who fakes his own death to undergo gender-affirming surgery. Afterward, he begins a new life as Emilia Perez and sets out to seek justice for victims of Mexico’s drug trade.

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The plotline has attracted controversy. Critics argue that presenting drug war violence and transgender identity within a crime comedy framework dilutes the gravity of both issues.

Backlash on social media

In a viral post on “X,” one user shared a graphic that reads, “Mexico hates Emilia Pérez/‘Racist Euro Centrist Mockery’/Almost 500K dead and France decides to do a musical.” Speaking to the BBC, the poster said he framed the criticism like a Hollywood-style promotion to draw attention to what he considers the film’s problematic elements.

GLAAD weighs in

GLAAD, which advocates for LGBTQ+ representation, raised concerns in an article last November. The organization called “Emilia Pérez” a “step backward for trans representation.” They claim it relies on harmful stereotypes instead of meaningful depiction.

Mexico’s drug war backdrop also shapes the film’s narrative. Since 2006, when then-President Felipe Calderon launched a military offensive against cartels, the country has seen an estimated 100,000 disappearances and even more deaths. Critics question whether “Emilia Pérez” approaches this topic with enough sensitivity.

Director’s idealism

Director Jacques Audiard defended his creative decisions in a recent interview with Variety. “I liked the fact that the story of the disappeared was told through the eyes of a trans woman… It’s unrealistic, I know, but I’m an idealist,” he said.

Casting has also sparked discussion. A casting director told The Contending that certain character arcs were rewritten because the actors hired were not Mexican. In one interview, critics highlighted a claim that producers could not find suitable talent in Mexico and chose Selena Gomez for a leading role instead.

Some say Gomez isn’t fluent in Spanish, which they feel undermines authenticity. This criticism reflects a broader concern that “Emilia Pérez” does not fully respect the culture it portrays.

Award buzz continues

Despite the controversy, “Emilia Pérez” has already earned four Golden Globe Awards and five European Film Awards. It remains a major contender for this year’s Oscars, though it was not nominated for GLAAD Awards in today’s announcement.

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[KENNEDY FELTON]

Award-Winning Film ‘Emilia Pérez’ Faces Backlash Over Cultural, LGBTQ+ Representation

With multiple awards already under its belt and expectations for Oscar nominations this season, “Emilia Pérez” has captivated international audiences. But its success has also sparked debates over its portrayal of the communities it aims to represent.

“Emilia Pérez” is a musical that tells the story of Juan “Manitas” del Monte – a notorious Mexican cartel leader who fakes his own death to undergo gender-affirming surgery and begins a new life as Emilia Pérez. She sets out to seek justice for victims affected by the violence of the drug trade in Mexico. But this unique plotline is where much of the controversy lies.

Critics from Mexican and LGBTQ+ communities argue that the film minimizes the gravity of these issues, presenting them within the context of a musical crime comedy.

In a viral post on “X,” one user calls out the Academy with a graphic reading, “Mexico hates Emilia Pérez / Racist Euro Centrist Mockery / Almost 500K dead and France decides to do a musical.” Speaking to the BBC, the poster said he originally framed the criticism like Hollywood promotions to draw attention to the film’s problematic elements.

GLAAD – an organization that advocates for LGBTQ+ representation – also took issue. In an article from last November, they call the film “a step backward for trans representation,” implying it relies on harmful stereotypes rather than meaningful depictions.

Since 2006, Mexico’s drug war has caused widespread suffering. Then-President Felipe Calderón launched a military campaign to combat cartels, leading to an estimated 100,000 disappearances and even more deaths. This reality leaves communities and families in Mexico displaced – a backdrop the film attempts to explore through a unique lens.

“I liked the fact that the story of the disappeared was told through the eyes of a trans woman… It’s unrealistic, I know, but I’m an idealist.” – Jacques Audiard | Director

In an interview with Variety this month, the film’s director says, “I liked the fact that the story of the disappeared was told through the eyes of a trans woman… It’s unrealistic, I know, but I’m an idealist.” By combining elements of opera, musical, and crime drama, he aimed to craft a narrative that would resonate on multiple levels. But for many, the film’s blend of genres doesn’t land.

Criticism also extends to casting. A casting director tells ‘The Contending’ that many characters’ storylines were rewritten because the actors hired were not Mexican.

“The director saying they could not find any talent in Mexico so therefore they had to hire Selena Gomez to play the part… someone who time and time again has refused to learn the language.”

“Emilia Pérez” has already won four Golden Globe Awards and five European Film Awards. The film is also expected to be a major contender at this year’s Oscars.